Friday, February 10, 2012

Shreyansh agarwal

by Shreyansh Agarwal
In a village near Kolkata, known as Mednipur lived a Patachitrakar adorned with simplicity. A kurta loosely hung on the skeleton of his body and wore a dhoti instead of pants. Patachitrakars narrated mythological stories along with a visual scroll. We live in a different world now. Folk art forms have gradually vanished and there are few who cherish the richness and importance of such art. People usually gathered around the artist in open spaces to hear his story and experience the magical journey on which the patchitrakar took them. While the patachitrakar narrated the story, two men namely sutradhars unravelled the scroll as he proceeded with the story. People listened to him in amazement even the nature around would seem non-existent. What children see today is heroic tales of Batman or Spiderman. What they hard then were heroic tales of Krishna and Rama who possessed magical powers.

The patachitrakar would make the villagers escape into the world of dream from the daily hustle bustle. The patachitrakar would first carefully write the story and tie it in a continuous thread of music before visually illustrating it on the scroll. The scroll would be visually divided in to frames; present day comics use a similar style. Patachitrakar didn’t narrate the story but instead sang it in a repetitive melody making it engaging to the audience. The tradition was passed on from generations and each heir carried it ahead with the same passion as his ancestors. Usually people paid him in kind rather than cash and that how the artist made a survival. He even owned a small piece of land where his family cultivated rice for self-consumption. Even though by birth he was a muslim he didn’t follow any religion in particular. His folklores consisted stories from all religious sects.

When people gradually shifted to newer means of entertainment he didn’t even realise .The evenings became less day by day and audience which once use to cheer and applaud became silent. Children would not come to attend the session as they were overwhelmed by the magic of gadgets. It was the old who just attending these sessions. His survival was difficult as earlier people use to pay them in kind. People hardly even bought their scrolls now. People just blindly adapted to the western ways of entertainment like cinema and television.. All that he did was paint these beautifull intricate scrolls and survived a basic lifestyle with it. Of course what do these artists know about marketing and advertising, they are simple men who know how to do their job and they are good at it.

There were days when his family didn’t have anything to eat. He would work for months on the beautifull scrolls of patachitra but there no people to buy it or appreciate it.. They were artists and artists don’t beg. What else could he had done with all that he knew was to paint patachitra and this is what his family had been doing since time in memorial. Was he the one with whom the family legacy would change, bearer of such folk form didn’t the responsibility lie on him to take it ahead. The scrolls kept pilling up until one fine day when he decided to give up and switch to a different profession. He joined the group of goldsmiths in his village to try his luck at it. He worked diligently at for few months as a goldsmith and hand crafted beautiful gold ornaments. It earned him a decent earning and there was stability in this job. He couldn’t carry it on for too long his heart didn’t allow him to. It might have been a safe option for the survival of his family but he decided to go back to what he was best at.

He started painting patachitra which a fresh zeal and motivation to take it ahead. Inspired from the modern thenes he created new stories more relevant to today’s time. Instead just focusing on mythological stories he wrote stories about 9/11, about the tsunami. Later on government commissioned works he wrote stories awareness of aids, malaria and polio and painted them on patachitras. He had successfully carried ahead the tradition of ages old technique of patachitra ahead.

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